Mary Gillett
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Mary's work evolves from the traditional etching process. She
enjoys the expressive possibilities of carborundum, collagraph,
monoprint, mixed media and painting in oils. Using landscape or
seascape as an external structure,she works in layers, starting at
an instinctive level and progressing through many experimental
stages, exploring surface and texture to create painterly images of
intense mood and atmosphere.
'[She] has always been absorbed by Dartmoor as a place to set
the imagination working. She feels the tactile quality of its rocky
surface,its textures, its bleak ruggedness, its sadness, and the
echoes of an ancient history.' (Jenny Pery, "The Visionary Gleam",
Transactions 2000)

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